A persuasive performance
Theatre Royal, Bury St Edmunds
It is a truth universally acknowledged that the works of Jane Austen will forever find and audience in Middle England.
Such was the artfulness of her style, her wit and the irony created by her narrative voice, that there will always be an attraction for modern audiences.
So take the words of Austen, embroider a loose narrative, add one gorgeous and talented actress - Rebecca Vaughan - and begin with a harp recital on a period instrument, and you have an evening guaranteed to appeal to an enthusiastic if not huge audience.
You may also want to watch:
Danielle Perrett played her 1801 instrument with passion and aplomb, resurrecting pieces in a range of styles from the Regency period, which, with a little stretch of the imagination, could have been heard or played by the characters in Austen’s novels.
Works by Naderman, Mayer, Steibelt and Dussek were interspersed with interesting tales of French harp makers fleeing revolutionary Paris to the safety of London.
- 2 Woman arrested on suspicion of drink-driving following A14 crash
- 3 Serious crash closes road in Bury St Edmunds near A14
- 4 'You either deliver or you leave' - Cook's message to Town players
- 5 Woodbridge community 'saddened' after couple found dead by police
- 6 Murder-suicide probe after couple found dead in Woodbridge
- 7 Ipswich Town closing in on appointment of new chief executive
- 8 'Buzz' about town as pub prepares to reopen under new family management
- 9 How busy was Bury St Edmunds town centre as lockdown eased?
- 10 Disused village Post Office reopening as deli and coffee house
Then it was Vaughan’s turn, seated at a dressing table, to bring to life 14 of Austen’s characters and another, perhaps the novels’ most important character - the narrator. She set the scene with a lecture about men and women before morphing into Elizabeth Bennet, who has just received Mr Darcy’s grudging proposal, which at this stage she has no intention of accepting.
Lizzie Bennet has the first and last word, later having had her prejudices about the proud Darcy shattered.
In between the two Lizzies appear a heartbroken Marianne Dashwood from Sense and Sensibility, a foursome from Emma - fussing, garrulous Miss Bates, Miss Woodhouse herself, Harriet Smith and the awful Augusta Elton with her plans for the Dunwell strawberry picking trip which simply must include a donkey to add to the faux rusticity.
Each was clearly defined and delineated; many were hilarious.
And the whole was cleverly held together by the use of costume, beginning with a distracting buxom look in a corset and finishing ready to take herself to a ball, no doubt there to meet a Darcy, Bingley or, heaven forbid, a Wickham.