A strong sense of deja vu
Guardians, by Lucy Caldwell, High Tide Festival, The Cut, Halesworth, May 6A YOUNG couple are celebrating their first year of marriage. They are living in a house owned by the young man's parents, now globe-trotting.
Guardians, by Lucy Caldwell, High Tide Festival, The Cut, Halesworth, May 6
A YOUNG couple are celebrating their first year of marriage. They are living in a house owned by the young man's parents, now globe-trotting.
Happiness turns to misery during the course of this play as the couple find they are out of love. Nothing new in that, of course, and that is the problem with this script - lack of novelty.
In contrast to the story, the technical side of this production is very sophisticated with a set surrounded by curtains on which a variety of images is projected - creating a garden of flowers, then an interior of portraits and, finally, Christmas decorations.
Sound and lighting were also excellent - two skills which are now inherently good in the High Tide festival.
- 1 Snow possible overnight as 50mph gusts set to arrive in Suffolk
- 2 No timescale for when Suffolk road closed due to flooding can reopen
- 3 Evicted Suffolk family of dying child given early Christmas presents
- 4 Man caught massaging woman's leg by husband viewing home CCTV
- 5 Suffolk beauty spots ranked among best in UK
- 6 Is this the cheapest house for sale in Suffolk?
- 7 'You can't kid supporters... we have to give them a lift' - Cook previews Crewe clash
- 8 Automatics out-of-reach and making the play-offs a real battle? The size of the task now facing Ipswich
- 9 JCB skip loader worth £5,500 stolen from Suffolk village
- 10 Willow Tree Farm Shop & Cafe: 'A lovely blend of upmarket and informal'
The set was a room in which all the furniture and objects (and even the chairs of the audience) were packaged in material - for me a rather obscure symbolism, perhaps meant to demonstrate that here were lives in transit or limbo. Even the individual blooms of a bunch of peonies bought by Connor for Molly were packaged.
The performances of the two actors, Andrew Simpson, as Connor, the Northern Ireland boy set on becoming a lawyer and Sonya Cassidy as Molly, the American girl trying to find an answer to the meaning of her life through family videos, were outstanding. Here were two very talented young people. A scene of tension in the failing relationship was electric.
However, two thirds through this play I started asking myself the question: where is this play heading. And the answer soon became clear: nowhere.
It is difficult to imagine how this script got through the fiercely competitive scrutiny process for the festival for, despite the technical brilliance, the material was of mundane value and on a tired subject much visited by young writers cutting their teeth in the profession.